Bella Annie Belle

Some more Angelo Frontoni photographs from the Hors-Série 'Photo' issue of Belgian magazine Ciné-Revue (July 1980), entitled "Les Charmes Dévoilés des Plus Belles Stars Internationales." Featured here is cute French starlet Annie Belle (Née Brilland), the short-haired regular in eurohorror and (s)exploitation with such credits as Jean Rollin's Lèvres de Sang, (1975), Massimo Dallamano's La Fine dell'Innocenza (Blue Belle - 1975), Brunello Rondi's Velluto Nero (1976),  Luigi Scattini's La Notte dell'Alta Marea (1977), Deodato's La Casa Sperduta nel Parco (1980), Massaccesi's Rosso Sangue and Margheriti's Fuga dall'Archipelago Maledetto (Tiger Joe - 1982). At one time she was also the girlfriend of fellow euroactor Al Cliver (Pierluigi Conti).

La Ragazza dalla Pelle di Luna: Zeudi Araya

More Angelo Frontoni photographs from the Hors-Série 'Photo' issue of Belgian magazine Ciné-Revue (July 1980), entitled "Les Charmes Dévoilés des Plus Belles Stars Internationales." Featured here is the set of Ethiopian beauty, Zeudi Araya who, during the 1970s made a series of exotic exploitation movies in Italy, often directed by Luigi Scattini. Her credits include La Ragazza dalla Pelle di Luna (1972), La Ragazza Fuoristrada (1973), both by Scattini, La Preda (1974) and the aptly titled Il Corpo (1975), once more directed by Scattini.

Ciné-Revue Photos - Marisa Mell

Some more gorgeous images from the Hors-Série 'Photos' issue of vintage magazine Ciné-Revue (July 1980), entitled "Les Charmes Dévoilés des Plus Belles Stars Internationales." This time the Angelo Frontoni photographs are from the unforgettable Marisa Mell.

 

Ciné-Revue Photos - Paola Senatore

Eurostarlet Paola Senatore in some fashionable Angelo Frontoni images from a special  Hors-Serie 'Photos' issue of vintage magazine Ciné-Revue (July 1980) entitled, "Les Charmes Dévoilés des Plus Belles Stars Internationales!" It is likely that these are the same photographs that appeared in the previous year's "Weltstars Ohne Hüllen" (Gemany - Pabel Verlag, 1979). Senatore was a mainstay of 1970s and 1980s cinema di genere, appearing in various horrors, gialli and numerous (s)exploitation films like Aristide Massaccesi's Emanuelle in America (1977), Immagini di un Convento (1979) and Umberto Lenzi's Mangiati Vivi (1980)

Eurostarlets #30: Pamela Tiffin

Gorgeous Pamela Tiffin in a full-page Angelo Frontoni image from vintage magazine Ciné-Revue. She is best known as Franco Nero's girlfriend Lu Auer in Luigi Bazzoni's stunning giallo, Giornata Nera per l'Ariete (The Fifth Cord - 1971). In 1972, she appeared once more opposite Nero in Paolo Cavara's eurowestern, Los Amigos, as Suzie, a prostitute.

Retro Barbara Bouchet

Gorgeous Barbara Bouchet in a nicely atmospheric and retro image by famous photographer of the stars, Angelo Frontoni.

Eurostarlets #24: Silvia Dionisio

Gorgeous eurostarlet Silvia Dionisio posing for famous eurostar photographer Angelo Frontoni in this Ciné-Revue image (most likely for a Ciné-Revue calendar). At one time Silvia was married to genre director Ruggero Deodato, they also made some movies together. Her sister Sofia also acts, often credited as Flavia Fabiani. I will soon do a post of the two of them together.

Ciné-Revue Covers

More Ciné-Revue covers by Frontoni, featuring lovely eurostarlets Sylva Koscina, Karin Schubert, Véronique Vendell and Monica Zanchi.

Eurostarlets #22: Gloria Guida

Full-page Frontoni image of lovely Gloria Guida from Ciné-Revue. Quintessential genre actress who appeared primarily in Commedia Sexy all'Italiana. She was also Miss Teenage Italia in 1974.

L'Occhio Dietro la Camera

Famous photographer 'of the stars,' Angelo Frontoni shooting the gorgeous Marisa Mell for the vintage Belgian magazine, Ciné-Revue.

Eurostarlets #015: Elke Sommer

Lovely Elke Sommer on the December 1970 cover of Ciné-Revue, along with a full page colour image, shot by famous Italian glamour photographer, Angelo Frontoni. Elke is best known to genre fans for her appearances in the two Mario Bava horrors, Lisa e il Diavolo and Gli Orrori del Castello di Norimberga (both 1972), but throughout the 1960s she was a regular feature in genre fare such as, De Quoi tu te Meles, Daniela! (Daniella by Night - 1961) and Douce Violence (Sweet Ecstasy - 1962), both by Max Pécas, Die Hölle von Macao (The Corrupt Ones - 1967), The Venetian Affair (1967) with Boris Karloff, Las Vegas 500 Milliones (They Came to Rob Las Vegas - 1968) and The Invincible Six (1970) amongst many others.